Franklin Boukaka: amazing composer, poet, and activist

Ah e e Africa

Eh e Africa

O Independence

Ah e e Africa

Eh e Africa

O Liberté

Kokata koni pasi

Soki na kati koteka pasi

Na pasi oyo ya boye

Ngai na bana mawa

Nakoka te

Basusu oyo naponaka

Bawela bokonnzi

Pe na ba-voitures

Bavoti tango ekomaka

Ngai nakomaka moto

Pona bango

Nakomi tuna:Mondele akende

Lipanda tozuwaka o ya nani e?

Africa e

Ah e e Africa

Eh e Africa

O Independence


Ah e e Africa

Eh e Africa

O Independence!

Ah e e Africa

Eh e Africa

O Freedom

Wood chopping is tough

After chopping, selling is just as tough

With this kind of suffering

With my children, how sad

I won’t make

Some for whom I voted

Went only for power

and nice cars

When voting time is here

I become someone

For them

I wonder, the white man did leave Africa

Whose independence did we achieve?

Africa e

Ah e e Africa

Eh e Africa

O independence


Although he was born at the other side of the Congo river, Franklin Boukaka‘s first serious move into a musical career was made in Leopoldville. In Brazzaville he had helped to form the Negro Band, and when the band started recording at the Esengo label he came into contact with the Rock-a-Mambo/African Jazz clan and Joseph Kabasele (a.k.a. le Grand Kallé), who was at the time the Big Star of Congolese music. He joined Rochereau and Jean Bombenga in Jazz Africain in 1960, when Kallé was at the Table Ronde.

Gary Stewart states that Boukaka joined Bombenga and Casino Mutshipule in forming the first version of Vox Africa in 1960, but personally I think Jazz Africain was not abandoned so quickly, – although Rochereau left when Kallé returned.

Around 1963 or 1964 Franklin returned to Brazzaville to join Cercul Jazz, the band of the cercle culturel* in the Bacongo quartier of Brazza. It was with this orchestra that he moved away from songs about love and nature (as Ntesa Dalienst once described it), and started singing about social matters, and even politics (which finally cost him his life – but that’s the subject of a later post).

And that brings us to this great lp from the Merveilles du Passé series on the African label, released in 1986 and claiming to contain tracks from 1967.

This is likely to be true for the tracks with the Cercul Jazz. The most famous of these two tracks is “Pont Sur Le Congo”, in which Boukaka calls on the two Congos to unite (a translation of part of this song can be found in Gary Stewart’s “Rumba on the River“). I don’t want to go into the lyrics of this song.

What strikes me with this song is the vocals, with a strong influence of African Jazz – and more precisely Jean Bombenga – in the duets.

My favourite tracks on this LP are, however, the two tracks of Franklin Boukaka with the Negro Band. In every aspect in the style of Franco’s OK Jazz, including the great guitar picking, which must be by (the strangely unknown) Willy Stany. Both songs are composed by the other singer on “Journal Dipanda”, Démon Kasanaut.

The B-side of this lp contains four nice (but not as nice as the A-side) tracks by Franklin Boukaka and Negro Succes, composed by Bholen andBavon Marie Marie.

If all these tracks were recorded in 1967, Franklin Boukaka must have had a busy year. Because in the same year he founded his ensemble which he named “Franklin Boukaka, ses sanzas et son orchestre Congolais”.

I’ll be posting more of Franklin Boukaka in the very near future, starting with more of Franklin and the Cercul Jazz.

2 thoughts on “Franklin Boukaka: amazing composer, poet, and activist

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